In 1913, when Jacob Epstein created “Rock Drill,” which appears on the cover, he was attempting to show the benefits of a technologically-infused humanity. So he joined a sculpture of this robot-like humanoid on top of an actual machine. It was one of the first times, if not the first time, art was combined with a manufactured product. Epstein showed the sculpture, as it appears on the cover, only once. Many critics and audience members were hostile towards the sculpture. In fact, Epstein even received many vicious anti-Semitic remarks. During World War I, on the battlefields of Northern France, Epstein’s hopes of a humanity enhanced by technology were completely shattered. Soon Epstein became a disillusioned soul and destroyed the sculpture, except for the torso, which he bronzed. It is now at the Tate Gallery in England. The point of using “Rock Drill” on the cover is to create a parallel with the fusion of poetry and prose, which I think can live harmoniously in the prose poem. I do not anticipate any drastic undoings, like the initial hostilities that befell Simic when he won the Pulitizer Prize with a collection of prose poems. Christopher Buckley get into these initial negative reactions to Simic’s book later in this issue. There is also some lineated poetry in this issue as well as reviews and other poetics. In our upcoming issue, we hope to explore the disappearance of the lyric poem from contemporary American poetry. That is, “What happened to the lyrical poem in contemporary American poetry? Why is it disappearing? How has the lyric lost its prominence?” Please email us your 200-500 word thoughts and/or some lyric poems. Guidelines are in back. Issue 11 is dedicated to Maan R Al-Ubaidi – may he rest in peace. Tom Holmes Nota Bene
To become an Active sponsor of Redactions is easy, just donate $20 - $99.99. You will receive a free issue of Redactions for your support. RedActive sponsors need donate only $100 or more, and you will receive a two-year subscription. And both sponsors receive our gratitude and a magnetic car ribbon. We also thank our contributors for the opportunity to publish their wonderful work in this double issue of Redactions: Poetry & Poetics. (If you wish to be a sponsor, please make out checks to "Tom Holmes" and send to 58 South Main Street, Third Floor, Brockport, NY 14420.) The Editor Tom REDACTIONS NEWS Support Poetry — Buy a Magnetic Car Ribbon ![]() 3-12-09 — James Grabill, February 13th, 2009: with his poem "Astrologia". — Brian Diamond, February 11th, 2009: with his poem "Sense". — James Doyle, February 9th, 2009: with his poem "The God of the Normandy Coast". 2-1-09 — What happened to the lyrical poem in contemporary American poetry? — Why is it disappearing? — How has the lyric lost its prominence? Please send a 200-500 word response to redactionspoetry(at)yahoo.com (replace "(at)" with "@"). Please send as a Word attachment, .rtf attachment, or paste in the body of the email. Please share this question with those who you think it might interest. You can also send 3-5 lyric and/or non-lyric poems as well. Deadline May 2009. 12-19-08 Vorticism was a defining moment in Modernism. It heavily influenced art, sculpting, writing, and even photography. The main ring leaders were Wyndham Lewis, Henri Gaudier-Brzeska, and Ezra Pound. It is on December 19, 1913, when Ezra Pound first uses the word "Vortex" to describe the artistic energies in London. He used it in a letter to W. C. Williams: "You may get something slogging away by yourself that you would miss in The Vortext" that is going on in London. Six-and-a-half months later the "great MAGENTA cover'd opusculus" BLAST would appear. Ezra Pound first conceived of Vorticism in the rotary plow when he was child leaving Hailey, Idaho, in the Blizzard of '87. His first use of the word "Vortex" was in the poem "Plotinus" in 1908. But to describe the powerful artisitc movement, it was 95 years ago today — December 19, 1913. 8-16-08 Editor Tom Holmes' Pre-Dew Poems has been released from FootHills Publishing. Congratualtions to the Redctions poets whose poems appeared on Verse Daily (www.versedaily.org).— Tricia Asklar, July 14th, 2007: with her poem "The Rule of Geese". 6-24-07 1-8-07 11-14-06 9-1-06 9-1-06 — J. P. Dancing Bear, July 29th, 2006: with his poem "On Falling and Failing". — Dawn Lonsinger, July 5th, 2006: with her poem "Afternoon Ether". 4-19-06 1-7-06 — Michael Robins, December 29th, 2005: with his poem "Gray Gone Missing". — Linda Cooper, December 26th, 2005: with her poem "Ponderous Borer". — Susan Denning, December 25th, 2005: with her poem "Prayer". — John Whalen, December 21st, 2005: with his poem "Fiber Optics". 11-15-05 Congratulations to co-editor Mike Dockins and his poem "Letter to Claus from Walnut Creek" which has been nominated for a Pushcart prize by West Branch. Redactions is currently seeking submissions of mythy poems for its next issue. We are looking for myths created by the poet, a retelling of old myths, or poems with a mythic feel about them. Science poems might also fit into this category. For more information see submission guidelines, or e-mail us at: poetry@redactions.com. Get our issue 4/5 bumper stickers, issue three t-shirts, and "Kiss My Assonance" t-shirts and thongs here: http://www.cafepress.com/redactions |
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